PAUL BONRUD
www.bonrud.com
(Winter 2005)
Paul Bonrud stared his musical career as a studio musician in
Minneapolis before relocating to Seattle. His past musical
endeavors include extensive recording, producing, and performing
live. His self-titled debut has just been released through
Frontiers Records. Bonrud was written completely by Paul, and he
played all of the instruments himself. The CD itself is a
well-balanced melodic rock experience. If you don't believe me,
then take my word for it...read
CD review
RIL: How does a Seattle guy get involved with the
Italian Record label Frontiers?
PB: I was offered record deals from
several different record labels but in the end, I decided to
sign with Frontiers. Serafino really has a passion for this
style of music and I had been impressed with many of their
previous releases (I really love the Kelly Keagy and Giant III
CD’s!) I only sent my CD to the labels I thought would do the
best job marketing the material so I was very selective and I'm
very pleased with the work that Frontiers has done for me.
Frontiers signed me for Europe, Russia, and Israel and
Marquee/Avalon is distributing the CD in Japan.
RIL: You play all of the instruments on your debut
CD, which instrument is your specialty?
PB: I’m primarily a guitar
player. The only time I play the bass or keyboards is when I
need to record a part. 99% of all of my songwriting occurs on
the guitar.
RIL: What are a few of your favorite songs from the
album and why (and you can’t say all of them)?
PB: “Desperate Heart” is without
a doubt my favorite song. It’s big and dramatic, the music is
beautiful, and the production is huge! I also really like “The
Phoenix” because it’s got a powerful groove, and I love the fun
lyrical theme of the song “I’ve Changed”.
RIL: How does a song come together when you play all
of the instruments?
PB: Very slowly! ? Well, it
usually starts out with me coming up with some cool riffs on the
guitar. It doesn’t take me very long before I have the music for
the verse, pre-chorus, and chorus worked out. So, once I have
the music arrangement figured out, I record scratch guitar
tracks along with a click track. Then I have my drummer Paul
Higgins record real drums and then I record the bass, and
guitars individually on top of the drums. After the music is
laid down, I sing a scratch vocal track and then I have Dave
Hendricks come in and sing the vocal part I have written. After
that, I usually record all of the backing vocals myself and have
Dave sing a few parts if time permits.
RIL: Are you planning any local or national dates in
support of the album?
PB: Just local dates for now.
RIL: You were a session musician before you cut your
first CD, did you work with anyone notable?
PB: None of my past session work
was done on anything big…mainly just local artist’s CD releases.
I learned a lot by doing all of those recordings though. You
really have to learn to be versatile and deliver something that
compliments someone else’s creation.
RIL: In past interviews you have done it’s clear that
you are a huge Journey fan, instead of asking you what your
favorite Journey album or song is I’m going to go in a different
direction; what do you think of Steve Augeri as the lead singer
of Journey?
PB: I think Steve Augeri is doing
a great job and was an excellent choice. He’s not a Steve Perry
clone but he sounds great singing the old tunes and he brings
soulfulness to their new recordings. Steve Perry will always be
my favorite singer but Steve Augeri is right up there as well. I
was skeptical of him replacing Steve Perry until I sat in the
front row of a Journey concert back in ’98. I remained skeptical
through the first verse and chorus of “Separate Ways” but after
that, he got on track and quickly won me over. I’ll always love
the old Journey stuff but I look forward to more new recordings
with Steve Augeri. There’s no need for them to ever reunite with
Steve Perry as far as I’m concerned. I miss hearing Steve Perry
sing but I don’t blame the guy for wanting to get out of the
rock and roll circus. He lived that life for many years and if
he wants to be a private person now, I can respect that.
RIL: Which Neal Schon side-project do you like the
best and why; Bad English, HSAS, Jan Hammer/Neal Schon,
Hardline, or Soul SirkUs?
PB: That’s a tough call because I
enjoyed Neal’s guitar playing in all of those projects. I think
his guitars sounded the best on the Hardline CD. I probably
would have loved a quality studio album from the HSAS project
because I’m a big Sammy Hagar fan but the songwriting and
production of that was a loose affair. I thin the whole HSAS
album was written, recorded, and performed live all within a two
week period. My favorite song from that album is “Missing You”.
The new Soul SirkUs CD is pretty cool too. I bought it directly
through their web site. I much prefer buying CD’s directly from
the band when I can. Record labels take too much of the money
for themselves. Support independent musicians!
RIL: Ever meet anyone from Journey?
PB: Yes, I’ve met everyone from
the current line-up. I’ve met Neal and Deen the most. They’re
all great guys. I have to give Ross extra credit for being
supremely approachable and generous. He actually gave me back
stage passes once. After meeting Steve Augeri, it’s easy to
understand why they picked him. Not only is he a great singer,
but he’s an exceptionally nice guy. He’s an easy guy to get
along with so that is a huge bonus when you’re on the road all
the time.
RIL: Do you think we’ll ever see Steve Perry back in
Journey?
PB: No, I think he’s done with
Journey and really doesn’t want to live in that kind of pressure
cooker environment anymore. He doesn’t have anything left to
prove so I wish him well in his retirement. Still, I’d love to
hear new music from him and if I could get in contact with him,
I’d be twisting his arm to sing on one of my next CD’s! ;-)
RIL: Isn’t that phoenix on the cover of your CD
eerily similar to the ones that appear on Journey’s albums?
PB: It’s not too surprising since
the artist also did all of the artwork on Deen Castronovo’s drum
kit for the past Journey tour! He also just designed the artwork
for George Tickner’s new website. George was a member of Journey
through their very first album.
RIL: Why do you think that your style of music is a
tough sell in the U.S.?
PB: Time marches on and things
change. I do however hear stronger melodic elements in today’s
music so the style is coming around again albeit in a newly
packaged form.
RIL: What’s the weirdest question a journalist has
ever asked you (now don’t be picking any of mine)?
PB: I wish I had a good weird
question to report but most of them have been pretty much on
target!
RIL: What’s next for Bonrud?
PB: I’m actually working in the
studio today, laying down a few scratch tracks for a few new
songs. Paul Higgins and I will be recording drums for 3 or 4 new
tunes next weekend. So, work is just beginning on the next
Bonrud CD. I’m not in a rush since I’m still busy promoting the
current CD but I enjoy the creativity of writing and recording
new material. All of the new songs I’ve written are rockers and
I’ll probably continue down that path for awhile and then write
a few ballads toward the end.
RIL: Anything I missed?
PB: I’d just like to thank
everyone who has been supporting us by purchasing a CD. We
greatly appreciate all of our fans. People who haven’t heard us
yet can check out our web site at
www.bonrud.com. Also, we’re selling autographed
CD’s directly through our website for just $10. So please check
us out and help support independent music!
Rock-Is-Life Review:
What’s the 4-1-1?
Long time studio musician/producer releases
debut effort.Genre
Hard rock / melodic / AOR
The Good
The album kicks off with the inspirational
anthem “Leap of Faith”. The catchy lyrics are
complimented by Hendricks melodic tone and
Bonrud’s fuzzy riffs. There’s more conviction
behind the vocals of “The Phoenix”, and the
muted riffs are a little heavier too. The power
ballad “Desperate Heart” combines clean single
picking notes with piercing guitar licks.
Hendricks’ delivery is truly heartfelt.
“I’ve Changed” has a very relatable theme and
a musical background that has an eighties
pop-rock feel to it, complete with a power
bridge section. A somber guitar opening quickly
turns into some hard-charging rhythms and
intricate guitar runs on “Once in A Lifetime”.
It’s not hard to see that Bonrud is about
positivity with tracks like “Live Your Dreams”;
a predominantly acoustic track with a sweet
electric solo. “Look Me in the Eyes” is loaded
with riff after riff after riff.
The Bad
The song structure is a little formulaic.
The Verdict
Overall, Bonrud’s debut CD is a well-rounded
melodic rock experience. It’s not hard to hear
influences of Foreigner and Journey. If you’re a
fan of melodic rock or just curious about it,
it’s worth checking out Bonrud. You can’t beat
the price either.
Did You Know?
Paul Bonrud is a big Journey fan.
Rating:
3 out of 5 stars
|
|
|